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The Resource Nacho López, Mexican photographer, John Mraz

Nacho López, Mexican photographer, John Mraz

Label
Nacho López, Mexican photographer
Title
Nacho López, Mexican photographer
Statement of responsibility
John Mraz
Creator
Contributor
Subject
Language
eng
Summary
Annotation
Member of
Cataloging source
DLC
Dewey number
  • 770/.92
  • B
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
TR820
LC item number
.M8499 2003
Literary form
non fiction
Nature of contents
bibliography
Series statement
Visible evidence
Series volume
v. 14
Summary expansion
Photographer Nacho Lopez was Mexico's Eugene Smith, fusing social commitment with searing imagery to dramatize the plight of the helpless, the poor, and the marginalized in the pages of glossy illustrated magazines. Even today, Lopez's photographs forcefully belie the picturesque exoticism that is invariably presented as the essence of Mexico. In Nacho Lopez, Mexican Photographer, John Mraz offers the first full-length study in English of this influential photojournalist and provides a close visual analysis of more than fifty of Lopez's most important photographs. Mraz first sets Lopez's work in the historical and cultural context of the authoritarian presidentialism that characterized Mexican politics in the 1950s, the cult of wealth and celebrity promoted by Mexico's professional photographers, and the government's attempts to modernize and industrialize Mexico at almost any cost. Mraz skillfully explores the implications of Lopez's imagery in this setting: the extent to which his photographs might constitute further victimization of his downtrodden subjects, the relationship between them and the middle-class readers of the magazines for which Lopez worked, and the success with which his photographs challenged Mexico's economic and political structures. Mraz contrasts the photos Lopez took with those that were selected by his editors for publication. He also compares Lopez's images with his theories about documentary photography, and considers Lopez's photographs alongside the work of Robert Capa, Dorothea Lange, Henri Cartier-Bresson, and Sebastiao Salgado. Lopez's imagery is further analyzed in relation to the Mexican Golden Age cinema inspired by Sergei Eisenstein, the pioneeringdigital imagery of Pedro Meyer, and the work of Manuel Alvarez Bravo, who Mraz provocatively argues was the first Mexican photographer to take an anti-picturesque stance. The definitive English-language assessment of Nacho Lo
Label
Nacho López, Mexican photographer, John Mraz
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 193-243) and index
Contents
  • 1.
  • Documenting Mexico
  • 2.
  • Photojournalism and Photoessays during the 1950s
  • 3.
  • Photoessays by Nacho Lopez
  • 4.
  • Thinking about Documentary
Control code
51460854
Dimensions
26 cm.
Extent
xvii, 249 p.
Isbn
9780816640485
Lccn
2003000196
Note
Library's copy 1 (Wittliff Gallery): Purchased, 2004. Hardbound.
Other physical details
ill.
Label
Nacho López, Mexican photographer, John Mraz
Publication
Bibliography note
Includes bibliographical references (p. 193-243) and index
Contents
  • 1.
  • Documenting Mexico
  • 2.
  • Photojournalism and Photoessays during the 1950s
  • 3.
  • Photoessays by Nacho Lopez
  • 4.
  • Thinking about Documentary
Control code
51460854
Dimensions
26 cm.
Extent
xvii, 249 p.
Isbn
9780816640485
Lccn
2003000196
Note
Library's copy 1 (Wittliff Gallery): Purchased, 2004. Hardbound.
Other physical details
ill.

Library Locations

    • The Wittliff CollectionsBorrow it
      601 University Drive, 7th Floor, San Marcos, TX, 78666, US
      29.888873 -97.943078
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